Minutos Musicales: Bon Iver

Estimados,
aquí os presento a Bon Iver, nombre de guerra de la banda del cantautor indie Justin Velmon. El nombre proviene de la forma de convertir al inglés (anglicismo) la frase 'bon hiver' francesa que signifca "buen viento":

Este grupo ya tiene un album en el mercado titulado "For Emma, Forever Ago" publicado en 2007. Curiosamente cuando toca en directo este album hace que el público coree las canciones porque no se puede simular en directo la cantidad de voces que se pusieron al grabar el disco...

Yo tengo un grato recuerdo de su última actuación aquí en España. Fué a propósito del Primavera Sound... y se pudo ver la calidad de este señor en temas como estos:






"While in high school and college, Vernon founded bands Mount Vernon and DeYarmond Edison, both indie-rock bands from Eau Claire, Wisconsin, where he still resides. DeYarmond Edison consisted of Vernon, Brad and Phil Cook, and Joe Westerlund. After a long period of success in the Eau Claire music scene, the four band mates decided to leave their longtime home and move to Raleigh, North Carolina to try their musical hand in a new place. The band released two records themselves, the first self-titled and the second titled "Silent Signs" and an EP of unreleased material is available on their myspace page. After nearly a year in Raleigh, Vernon left for Wisconsin after a breakup with the band and a girlfriend. The remaining members of DeYarmond Edison went on to form a new band called Megafaun and remain good friends with Vernon.

Live Performances
Justin Vernon is joined live by Sean Carey (drums, vocals, piano, vibes) and Mike Noyce (vocals, baritone guitar, guitar). Noyce was Vernon's guitar student during high school while Carey approached Vernon during one of the first Bon Iver shows telling him he could play and sing all the songs after which the two played a number of them together.

Because of the large amounts of dubbing over in the For Emma, Forever Ago album, Justin Vernon was concerned that there would not be enough voices to duplicate the sound of the songs on the album. To compensate for this problem, Bon Iver gave lyrics for some songs to the audience to sing along to during shows. In an interview with Pitchfork, Vernon described his dilemma. "I don't want to be the guy with an acoustic guitar singing songs, because that's boring for the most part. The song actually needs 80-500 people singing or whatever the vibe is of that room, it needs that fight".

For Emma, Forever Ago
After the breakup of a band, relationship, and bout with sickness, Vernon left Raleigh and moved back to Wisconsin spending three months in his father's cabin in the woods of northern Wisconsin. He did not intend to write or record any music during the time but rather to recuperate from the events of the previous year. Eventually a record began to evolve during this cathartic time of isolation.

Vernon had recently finished helping the band The Rosebuds do some recording and had with him some basic recording gear when he made his move to the cabin. Vernon played all the instruments during recording and each song was heavily edited with a large number of overdubs. Vernon wrote most of the lyrics for the album by recording a word-less melody and listening to the recording over and over and writing words according to the sound of the syllables of the melody.

The record was almost not released and was originally intended as a group of demos to be sent out to labels and potentially rerecorded. But after getting very encouraging reactions from a number his friends, Vernon decided to release the songs himself in their present state [6] After significant positive reception, helped by word of mouth and its popularity throughout the blogosphere, Vernon decided to sign to the indie label Jagjaguwar which subsequently gave the album a proper release."

Grupo: Bon Iver
Disco: The MySpace Transmissions
Año: 2008
Web oficial: http://www.myspace.com/boniver y http://www.boniver.org/
Canciones destacadas: For Emma, Flume, Blindsided y Lump Sun

Y observad este video... con 2 cojones y una guitarra se pone a cantar. Esto tipo es muy muy grande.

Minutos Musicales: The Kooks

Estimados,
hoy toca un poquito de Brit-Pop.
Este grupo tocará el próximo 18 de Julio en el Summercase 2008.

The Kooks son una banda de indie rock originaria de Brighton, Inglaterra. Su álbum de debut, Inside In/Inside Out, ha permanecido la mitad de 2006 en las listas británicas, vendiendo más de un millón de copias en el Reino Unido, 38 semanas en el Top 20 del Reino Unido y alcanzando tres veces el estatus de disco de platino.

La banda fue formada en el Hoover High School, de donde eran todos estudiantes. Al principio el nombre de la banda era solo Kooks, hasta que se dieron cuenta de que un grupo suizo también tenía ese nombre, por lo que lo cambiaron a The Kooks. Su debut fue en el Brighton's Free Butt festival. La canción que los llevó al éxito fue Naive, que está en su primer álbum Inside in/Inside out. The Kooks hicieron su primer tour por Estados Unidos en Octubre de 2006. Tocaron en Los Ángeles y Nueva York. Su segundo álbum se llama Konk y salió el 14 de abril de 2008.

"'The greatest records in the world can be put on in any situation: you can put them on at a party and they're going to sound great, you could put them on in a club and they're going to sound great, you could put them on on your headphones and listen in bed. That's when you get a great album,' says Luke Pritchard. 'And that's how I like to think of this album.'

The Kooks are back. 2006's Inside In/Inside Out was a huge hit, selling some 2 million copies worldwide, spawning massive singles 'She Moves In Her Own Way', 'You Don't Love Me', 'Sofa Song', 'Eddie's Gun', 'Ooh La' and especially 'Naïve' – after which the album took on a whole new life of its own. The Brighton quartet quickly rang up sell-out shows not just in the UK but in America and all over the world, earning a support slot with The Rolling Stones along the way and categorically establishing themselves as A Great British Band.

Singer/guitarist Luke, lead guitarist Hugh Harris, bassist Max Rafferty and drummer Paul Garred quickly came to be regarded as a classic British song-writing outfit, able to stand alongside The Kinks, Oasis, Coldplay or any number of others you care to mention, simply because they understand what makes pop music great.

'If it doesn't make you feel good, then what's the point?' says Luke. 'There's too much drab shoe-gazing shit around. I hate all that cack. You've to push through it. That's where you get great songs.'

'Music should make you happy,' concurs Hugh. 'It should change you in some way. That's why our fans are so crazy and committed. There's that connection.'

'We give people a great night out,' continues Luke, who's still only 22. 'That's the whole point. And I probably buzz off the crowd more than they buzz off us. Music's all about getting everyone together. How can you be cynical when you're at a festival and there's 20,000 people – all different kinds of people; young, old, black, white – and everyone's singing the same songs?'

Anyone who's ever enjoyed (a) pop music or (b) a good night out, has plenty of reason to cheer when it comes to Konk, The Kooks' second long-player, recorded over six weeks at the tail-end of 2007 in Ray Davies' Konk Studios in north London, plus a week at Los Angeles' Sound Factory. The sessions once again united the group with esteemed producer Tony Hoffer (Beck/Air/The Fratellis). Luke: 'It was brilliant. It was like a school reunion. Tony's a genius; he's a really talented guy and he's fun to be around. We had the best time.'

While James Brown's Live At The Apollo classic 'I'll Go Crazy' provided daily in-studio listening, end-of-session downtime was spent in the local Irish pub, The Kooks' soon making friends with the locals. 'The owner would give us a lock-in,' says Luke. 'We'd end up having a drink with all the Irishmen.'

'I just started thinking how cool the studio is,' says Hugh, by way of explaining how he came to suggest the album title. 'And how much of a part of our sound it is.'

Indeed, in Konk The Kooks' fanbase will find plenty to recall the freewheeling spirit that made Inside In/Inside Out a true word-of-mouth success – one of those rare cultural phenomena that grew and grew the more people heard it – while others will be aware just how much they've subtly upped their game. 'It sounds big,' says Luke, someone not given to over-analysing the process, preferring to let the songs speak for themselves. 'We thought a lot more about production. It's a second album and we'd done a lot more touring and recording [by that stage]. We tried to make a dynamic album where every song has its own little world. That was the philosophy.'

'We always have so much material,' says Hugh, of the set that includes songs dating back to Inside In/Inside Out to others written a fortnight before the sessions ended. 'As a songwriter you need to get things down. Making an album has become such a big thing now. The Kinks used to do two albums a year. The Rolling Stones would go and cut a single – plus a b-side – between tours. Some of that immediacy gets lost today. But we've made a really great record that I'm really proud of it. I'm not ashamed to say that.'

While 'Gap' is classic Kooks, a song like 'Shine On' finds Luke exploring hitherto unchartered lyrical territory over the loveliest of melodies. It's destined to become another lynchpin in The Kooks' live set. 'We've never done a song like that before,' he says. 'A lot of people might think its quite standard, but when you listen to it, it's not. It's a really weird little tune. I'm really pleased with it.' Then there's 'Always Where I Need To Be' a tumbling rocker with a 'do-do-do, do-do-do-do' refrain that might just be the catchiest thing they've ever done. 'Sway', meanwhile, provides an early album highlight. ''Sway' is one I always go back to,' says Luke. 'Hugh's guitar solo is genius – I don't even know how he did it, even though I was there. And obviously the words hold a certain thing for me.'

2008, then: it promises to be another stellar year for the fourpiece. 'We came through [in 2006] with some great acts – Arctic Monkeys, Amy Winehouse, Beirut – but, for me, last year was a really wishy-washy time for bands,' says Luke. 'It feels like the time's right for us to come back.'

With shows already lined up in places as far afield as Dubai, Brazil and – oh yes – Hawaii, not to say some very special UK venues ('We want to do things differently,' says Luke. 'Some of those arena venues… who wants to see a band in a tin shed?') plus a truly magical slot at The Isle Of Wight Festival, the outlook for the boys' 2008 is sunny.

'We've made a really good album,' concludes Luke. 'I love the idea of people putting it on in their bedrooms, then going mental.'

'I hope that everyone puts it on,' he says. 'And it makes them feel great.'
Let the good times roll. "

Grupo: The Kooks
Disco: Konk
Año: 2008
Web oficial: http://www.thekooks.co.uk/ y http://www.myspace.com/thekooks
Canciones destacadas: See The Sun y Always where I Need To Be

Minutos Musicales: Ben Weaver

Estimados,
mucho se ha dicho y escrito de este compositor con lo que prefiero no ser yo el que se haga el listo dando lecciones.

Lo que sí puedo comentar es que os vais a encontrar a un cantante de Minnesota que transmite delicadeza y ternura en unas canciones tranquilas y con un claro tinte de Americana. Me encantaría verle en el Auditorio del Primavera Sound el año que viene... veremos a ver si alguien recoge el guante.

"Ben Weaver nos lleva hacia las raices contry-folk a através de la tecnología. Despliegue de organos, sintetizadores, violonchelos, trompetas, banjos y multitud de pequeños y sutiles efectos para conseguir un acercamiento al blues más amargo.

Entre sus influencias Steve Earle y como no, Tom Waits; su voz grave y profunda y el resultado, uno de los mas destacados discos del rock alternativa norteamericano junto al The Devastations."

"Country-rooted Americana full of weary determination and aphoristic clarity." Jon Pareles, NEW YORK TIMES

“Not the kind of thing to play on a sunny Sunday morning, but it may be the best thing for a spooky Saturday night. Weaver pulls it off... out on the edge.” Bill Flanagan, CBS Sunday Morning

"like a hillbilly Leonard Cohen." - Sylvie Simmons, MOJO

musical postcards that recall a rural Tom Waits, or Greg Brown in his dark, bluesy moments. Hes like that spooky old guy who lives in a trailer but tells amazing stories. - Kieth Goetzman, UTNE

"...his raw, art-damaged vocal screeds are riveting, invigorating, illuminating." - Jim Musser, NO DEPRESSION

"Weaver's voice - which makes Lee Marvin sound like Aled Jones - lends biblical portent to the most mundane detail. A one-man Brothers Grimm with no happy endings. Enjoy." - UNCUT"

Grupo: Ben Weaver
Disco: Paper Sky
Año: 2007
Web oficial: http://www.benweaver.net/ y http://www.myspace.com/benweavermusic
Canciones destacadas: Plastic Bag, In November, Like a Vine After the Sun, Sorrow y Whatever You Want to Haunt You